The road is long between here and home. Fifteen hundred miles stretch between me and everything I knew to be my world, the promise of something new and exciting and beautiful being the only thing that pulled me from it. The miles counted down through the gentle hills and valleys of the Virginias, the greens of Tennessee and the storms of Alabama and Louisiana before the majesty of the Mississippi ushered me into the homestretch of the longest journey I had ever taken alone; emotions of wonder and excitement rushing the adrenaline into every part of my being, making the miles and minutes shorter and sooner to pass. On the road the promise of the move was…well, promising. I was comfortable with every facet of it. I felt triumphant over this amazing plan I had for myself. The storms could have been an omen. Or maybe the bugs on the bumper. Or the constant delays on my trip. Or maybe even the quiver in a voice that I should have heard months before…I don’t know. So many people have thought me crazy, and I know it, for making this move. But instead of giving me the courtesy of being honest with me [and I mean everyone] all I received was resounding support which I did not evaluate but rather just exploited to backup my own unrelenting conviction in my decisions and actions. And so I moved.
Paul has helped me so much through this transition, being my company here in
The living and working part came next. And this is I think the source of my deep sadness. Because see even though I understand things aren’t always great at the beginning and surprises spring up and fuck up things you’ve planned for so long, these are two lessons I didn’t need to be reminded of all in the same rush right at the beginning. An old fucker at the IATSE office [who was self-admittedly a scenic artist in his youth] smugly declared to me the difficulties in pursuing that career, almost as if to assume that I was just some arrogant upstart instead of a good worker and possibly a gifted artist. I really hate bitter old people who never fulfilled their potential and let the world know about it. And so I work at Texas Art Supply, Co. Honestly, there are people younger than me who have the 401k and investment portfolios and salaries and company games and all of the normalcy that comes with the well-paying respectable job, and I am stocking shelves at an art supply store full-time so that I can get a discount on a drafting and design table and supplies until my opportunity comes, an opportunity some locals think may never come. But I am ok with it. Because everything will be ok in the end, right?
My family here remains my saving grace, but of course their lives need to take precedence and so I cannot rely on their constant presence in mine. But Tito Edwin has helped me a lot and the cousins are all really well and good and it makes me happy to see them; it gives me a sense of home to see them.
What hit me the hardest though is the last thing I mention and yet the one thing I don’t want to write about because it makes me sad. But I hope that writing about it frees it from my head and so then the thoughts no longer live with me and I can be liberated from them. Almost a year ago we had a plan that I would come down here and [maybe maybe] see what opportunities
And so I sit here in this room, still clinging to a promise of opportunity not whispered by the silence that fills my apartment that I inhabit alone, but rather by the cursory images of past dreams that used to push me forward. I sit in my room, listening to some good music, with a glass of wine at
I miss my family, my dog. I miss my friends and I miss knowing everything. I wish I didn’t feel more alone than I ever have before, and I wish I couldn’t cry.
But tomorrows are always good. And yesterdays will always make me sad. But todays, I hope, will ALWAYS hold for me, a promise. Welcome to Houston, Don. Hope you find what you’re looking for.
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